Russian Accent | Blog of Nadia Sikorsky

Kirill Serebrennikov’s film The Disappearance of Josef Mengele, which premiered at the Cannes Film Festival this May and is devoted to the Nazi criminal who managed to elude justice, has now reached screens across the country.

On November 27, the Jerusalem Quartet will perform at the Geneva Conservatory. Three of its members speak fluent Russian. I am delighted to present this wonderful chamber music program and to give the floor to one of the ensemble’s co-founders. The interview took place a few days before the shameful incident at the Philharmonie de Paris.

After a three-year absence, world-renowned Russian soprano Anna Netrebko returned to the Zurich Opera House in the role of Donna Leonora in Giuseppe Verdi's masterpiece, commissioned by Tsar Alexander II and first presented to the public in St. Petersburg. The premiere took place despite the Ukrainian Embassy in Switzerland's demand that it be canceled.

Thus, paraphrasing the title of an old Woody Allen movie, one could title the exhibition "Vallotton Forever," currently showing at the Cantonal Museum of Fine Arts in Lausanne and dedicated to one of Switzerland's most famous artists.

Cette question est au cœur du nouveau recueil d’essais de Mikhaïl Chichkine, Le Bateau de marbre blanc, paru récemment en français aux éditions lausannoises Éditions Noir sur Blanc et disponible dans les librairies de Suisse, France, Belgique et Canada.

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.

The Palace, Roman Polanski’s black comedy, which has proven adept at provoking sharply polarized reactions, has been released in Swiss cinemas, first in the German-speaking part of the country and now in French-speaking Switzerland. The reception it has received has aroused our curiosity.

Here is an exclusive interview with the author of The Wizard of the Kremlin, a novel awarded the Grand Prix of the French Academy and shortlisted for the Goncourt Prize.

Nasha Gazeta invites its concerned readers to a concert organized with young musicians and dedicated to them.

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

Galery Skopia in Geneva presents an exhibition of one of the greatest Russian artists whose life is closely linked with Switzerland. Here is an exclusive interview.

As part of the Verbier Festival, which concluded a few days ago, the celebrated musician agreed to a public interview, which the organisers entrusted to the author of these lines. It turns out that had Kissin not become a pianist, he might have become a journalist.