Russian Accent | Blog of Nadia Sikorsky

This statement from the Foreword to the poetry collection "How are we meant to survive this", published by Freedom Letters in Russian and English, summarises, in my view, the essence of the collective work of the twenty-six authors represented in it and their eighteen translators. This collection is one of my strongest literary impressions of the past several years.

For four years now, this question, so important to me, has not left the agenda, whether in private conversations, in the international press, or simply in life itself. Allow me to return to the day when I first asked it of myself.

On March 6th, the concert agency Cæcilia presents a recital by the pianist Tsotne Zedginidze, born in 2009. The programme includes works by Beethoven, Schumann, Brahms and… by the young musician himself.

British actor Ralph Fiennes did not exaggerate when he said that he had no intention of departing from the original storyline as he embarked on Eugene Onegin by Pyotr Ilyich Tchaikovsky, his first operatic production. This directorial venture on the stage of the Paris Opera drew a wide range of reactions, and I took the opportunity to compare my own impressions with those of tenor Bogdan Volkov, the interpreter of Lensky, whose performance left me truly delighted.

For the first time in its history, the Fondation Beyeler in Basel is devoting a monographic exhibition to Paul Cézanne (1839–1906), on view until 25 May 2026.

The participation of the Russian violinist in the festival Les Sommets musicaux lent an event usually free of controversy a faint aura of scandal. Media outlets in several countries seemed interested in little else, which one can only regret. The festival audience, however, came for the music, and the music did not disappoint.

Today, a short story collection by the Ukrainian writer Serhiy Zhadan is reaching bookstores in Switzerland, France, Belgium, and Canada. Published by the Lausanne-based Éditions Noir sur Blanc in Iryna Dmytrychyn’s French translation, it bears the title "No One Will Ask Anything. News from Kharkiv" (Personne ne demandera rien. Nouvelles de Kharkiv).

The Swiss release of The Kremlin Wizard, a film by the French director Olivier Assayas based on Giuliano da Empoli’s novel Le Mage du Kremlin, has, unsurprisingly, triggered a wave of emotions and commentary. I, too, will say a few words.

Today, the traditional contemporary art fair opens at Geneva’s Palexpo exhibition centre, an event I have followed since its founding in 2012. This year, however, one particular stand is of special interest to me: for the first time, the Barbier-Mueller Museum is taking part in the project.

By decision of the United Nations, 27 January, the day Auschwitz concentration camp was liberated by Soviet troops in 1945, is observed as International Holocaust Remembrance Day. On this occasion, I would like to tell you about the Jewish Museum of Switzerland in Basel, which I visited last week.

At the Skopia gallery in Geneva, a memorial exhibition is being held in honour of an outstanding Russian artist. Do not miss it.

This is the theme of the upcoming Yehudi Menuhin International Music Festival in Gstaad, which will take place from 16 July to 5 September 2026.

The contract of the British conductor as Music Director of the Orchestre de la Suisse Romande expired at the end of last year. Yet he is already returning to Geneva, this time as a guest conductor, to bring together the OSR and the Orchestra of the Geneva Music Conservatory (HEM Geneva).

In just two days at the Le Piano Symphonique festival, I gathered enough impressions for an entire season. Let me share them with you.

Today, the novel Return to Ostrog by Sasha Filipenko goes on sale in bookshops across Switzerland, France, Belgium, and Canada. The French translation, by Marina Skalova, has been published by the Lausanne-based Éditions Noir sur Blanc. 

Geneva has its own underground! If you have a free evening in the coming days, why not spend it in a cozy basement where wonderful texts are read aloud?

From January 30 to February 7, the renowned Swiss Alpine resort of Gstaad will host the international Sommets Musicaux festival for the 26^th time — a place where everyone is sure to find something to delight their ear.

This is the title of the film by Ukrainian director Sergei Loznitsa, presented as part of the Geneva Black Movie festival.

From 12 to 18 January 2026, the city on the shores of Lake Lucerne will host the international music festival Le Piano symphonique, whose inspirer, or “associated pianist”, is none other than Martha Argerich herself.

The splendid album created by Luc Debraine and published by the Lausanne-based Éditions Noir sur Blanc offers us the rare pleasure of seeing the real faces of those who, for decades, have nourished our imaginations.

The Orchestre de la Suisse Romande invites all music lovers – and all those who enjoy swirling to it – to its traditional New Year’s concerts, which will take place on 7 and 8 January 2026 in Geneva and Lausanne.

The season of Milan’s Teatro alla Scala opened with Dmitri Shostakovich’s opera staged by the Russian director Vasily Barkhatov.

Two rooms of the Kunsthaus Zürich are hosting, until 15 February 2026, an exhibition devoted to the artist Alice Bailly (1872–1938), born in Geneva and deceased in Lausanne. This presentation is the result of a collaboration between the Zurich museum and the Musée cantonal des Beaux-Arts of Lausanne (MCBA).

Kirill Serebrennikov’s film The Disappearance of Josef Mengele, which premiered at the Cannes Film Festival this May and is devoted to the Nazi criminal who managed to elude justice, has now reached screens across the country.

On November 27, the Jerusalem Quartet will perform at the Geneva Conservatory. Three of its members speak fluent Russian. I am delighted to present this wonderful chamber music program and to give the floor to one of the ensemble’s co-founders. The interview took place a few days before the shameful incident at the Philharmonie de Paris.

After a three-year absence, world-renowned Russian soprano Anna Netrebko returned to the Zurich Opera House in the role of Donna Leonora in Giuseppe Verdi's masterpiece, commissioned by Tsar Alexander II and first presented to the public in St. Petersburg. The premiere took place despite the Ukrainian Embassy in Switzerland's demand that it be canceled.

Thus, paraphrasing the title of an old Woody Allen movie, one could title the exhibition "Vallotton Forever," currently showing at the Cantonal Museum of Fine Arts in Lausanne and dedicated to one of Switzerland's most famous artists.

Cette question est au cœur du nouveau recueil d’essais de Mikhaïl Chichkine, Le Bateau de marbre blanc, paru récemment en français aux éditions lausannoises Éditions Noir sur Blanc et disponible dans les librairies de Suisse, France, Belgique et Canada.

Authors often send me their books, whether literary works or scientific research. Unfortunately, I cannot present them all, which is why I select those that, in my opinion, are likely to generate the most interest among my readers. "Deported for Eternity. Surviving Stalinist Exile, 1939-1991" (« Déportés pour l’éternité. Survivre à l’exil stalinien, 1939-1991 ») is one of them.

On September 15-19, 2025, a festival entitled "Macht Musik" – "Making Music" – will take place in Basel, an event that positions itself as "a festival dedicated to the freedom of art under dictatorship." On opening day, the principal conductor of the Berlin Radio Symphony Orchestra (Rundfunk-Sinfoniorchesters Berlin, RSB), Vladimir Jurowski, representative of an illustrious Russian musical dynasty, will take his place at the podium. I offer you an exclusive interview with him; I hope it will answer several questions from my readers. We began in andante and moved to a candid conversation about his career, his relationship with Russia, and his views on the role of artists during times of political crisis.

The Palace, Roman Polanski’s black comedy, which has proven adept at provoking sharply polarized reactions, has been released in Swiss cinemas, first in the German-speaking part of the country and now in French-speaking Switzerland. The reception it has received has aroused our curiosity.

5, 6 и 7 марта за пульт Оркестра Романдской Швейцарии встанет, на сцене женевского Виктория-холла, российский дирижер, не нуждающийся в представлении любителям классической музыки. Предлагаем вашему вниманию эксклюзивное интервью маэстро.

Сегодня в книжные магазины Швейцарии и Франции поступит роман известной российской писательницы Гузель Яхиной «Эшелон на Самарканд», выпущенный издательством Noir sur Blanc в переводе на французский Мод Мабийяр. Незадолго до этого события мы побеседовали с автором по Скайпу.