Russian Accent | Blog of Nadia Sikorsky
British artist Monster Chetwynd has installed a gigantic sculpture in the grounds of Switzerland’s largest art museum. Visitors are not merely allowed to touch it: they can climb inside and clamber about.
The multitude of people one meets in life can easily be divided into two groups: those who lift us up and those who drag us down. The first group outweighs the second, and the earlier we choose it, the more interesting and fulfilling our existence becomes. In my youth, I had the incredible fortune of meeting many exceptional people who influenced me. James Baldwin is one of them.
The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.
Despite everything, this is still a season of light and gifts; of lux and luxury. So I decided to combine the two by going to La Scala for Boris Godunov. I know this opera by heart; I have seen it… I no longer remember how many times, in all kinds of productions, including at the Grand Théâtre de Genève and at Opernhaus Zürich.
As part of Geneva’s Black Movie film festival, a documentary by Ukrainian director Sergei Loznitsa will be screened.
To mark the publication in French of Guzel Yakhina’s novel A Volga Tale by Éditions Noir sur Blanc in Lausanne, we spoke once again to the acclaimed Russian writer and asked her thirteen questions. Maud Mabillard’s translation will reach Swiss bookshops tomorrow, 19 August 2021.
A scandal has erupted in Russia over the television adaptation of Guzel Yakhina’s novel Zuleikha, whose final episode was broadcast yesterday on Rossiya 1. The accusations levelled at the production team strike us as symptomatic of Russian society.
It so happened that over the past couple of months I have plunged headlong into the work of the 35-year-old Russian director Timofey Kulyabin, towards whom I had previously – and now it can be admitted – felt a certain wariness: the scandalous story with Tannhäuser had indeed left that notorious taint.
On 29 May, the Mikhailovsky Theatre in St Petersburg will host a gala concert marking the 40th anniversary of the artistic career of the distinguished Georgian singer. I had the opportunity to speak with him shortly before this event.
Paata, you were born in Tbilisi, studied in Milan and Odessa, yet you describe yourself as a representative of the Russian bass school. Why?

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