Russian Accent | Blog of Nadia Sikorsky

The Far West of the East

The Siberia Job in its original version is the fourth novel overall and the second thriller of American Josh Haven. It was published very recently, in 2023, and one should congratulate Éditions Buchet/Chastel for having it quickly translated into French and published under the surprisingly English title: Wild Wild Siberia.

Not a Child’s Game

Nasha Gazeta invites its concerned readers to a concert organized with young musicians and dedicated to them.

Konstantin Mitenev: Awaiting Expulsion

How did a well-known artist from Saint Petersburg, whose works have been exhibited in many countries, end up in a migrant reception centre in Switzerland? And can one count on the humanity of the Swiss authorities?

Elisaveta Leonskaya: “We were taught to look for music within ourselves”

In all the photographs, Elisaveta Ilyinichna Leonskaya, whom the French-language press refers to only as a grande dame, is dressed in black, without a smile. I too imagined her as strict, unapproachable, withdrawn. Yet upon meeting her in person, this image dissolved within minutes. The main feature of Leonskaya’s face is her eyes. Large, blue, radiant, drawing one in. Next comes the smile, which hardly ever leaves her face.

Evgeny Kissin: “My Only Criterion Is Love”

As part of the Verbier Festival, which concluded a few days ago, the celebrated musician agreed to a public interview, which the organisers entrusted to the author of these lines. It turns out that had Kissin not become a pianist, he might have become a journalist.

Yuri Norstein: “We simply work…”

One of the guests at the “Zaubersee” music festival, recently held in Lucerne, was, somewhat unexpectedly, the outstanding Russian animator whose Tale of Tales was признана the greatest animated film of all time. His work was the focus of a special programme, “An Evening with Norstein”. I had the rare opportunity to speak with the Master in a relatively calm setting.

About the author

Nadia Sikorsky

Nadia Sikorsky grew up in Moscow where she obtained a master's degree in journalism and a doctorate in history from Moscow State University. After 13 years at UNESCO, in Paris and then in Geneva, and having served as director of communications at Green Cross International founded by Mikhail Gorbachev, she developed NashaGazeta.ch, the first online Russian-language daily newspaper, launched in 2007.

In 2022, she found herself among those who, according to Le Temps editorial board, "significantly contributed to the success of French-speaking Switzerland," thus appearing among opinion makers and economic, political, scientific and cultural leaders: the Forum of 100.

After 18 years leading NashaGazeta.ch, Nadia Sikorsky decided to return to her roots and focus on what truly fascinates her: culture in all its diversity. This decision took the form of this trilingual cultural blog (Russian, English, French) born in the heart of Europe – in Switzerland, her adopted country, the country distinguished by its multiculturalism and multilingualism.

Nadia Sikorsky does not present herself as a "Russian voice," but as the voice of a European of Russian origin (more than 35 years in Europe, 25 years spent in Switzerland) with the benefit of more than 30 years of professional experience in the cultural world at the international level. She positions herself as a cultural mediator between Russian and European traditions; the title of the blog, "The Russian Accent," captures this essence – the accent being not a linguistic barrier, not a political position but a distinctive cultural imprint in the European context.

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What can one expect from a film about real people whose fate we already know? Quite a lot, as it turns out. Over three and a half hours, the viewer follows the protagonists of Rays and Shadows, Xavier Giannoli’s latest film, along the road to hell paved with good intentions, or, more precisely, along the path from the pacifist illusions of the post-war period to active collaboration during the Nazi occupation of France.

For the first time in my journalistic career, I want to tell you about a concert I have no intention of attending. And the reason, of course, has nothing to do with the brilliant composers whose works appear on the programme, nor even with the performers. The problem is the “packaging”, which deeply shocked me.

A tribute in ballet form to the great Russian dancer, created by Kirill Serebrennikov, Yuri Possokhov and Ilya Demutsky, is currently being performed on the stage of the Berlin State Opera. But it was conceived for the stage of the Bolshoi Theatre in Moscow, where I had the good fortune to see it several years ago. So I can compare my impressions.