For four years now, this question, so important to me, has not left the agenda, whether in private conversations, in the international press, or simply in life itself. Allow me to return to the day when I first asked it of myself.
On March 6th, the concert agency Cæcilia presents a recital by the pianist Tsotne Zedginidze, born in 2009. The programme includes works by Beethoven, Schumann, Brahms and… by the young musician himself.
British actor Ralph Fiennes did not exaggerate when he said that he had no intention of departing from the original storyline as he embarked on Eugene Onegin by Pyotr Ilyich Tchaikovsky, his first operatic production. This directorial venture on the stage of the Paris Opera drew a wide range of reactions, and I took the opportunity to compare my own impressions with those of tenor Bogdan Volkov, the interpreter of Lensky, whose performance left me truly delighted.
For the first time in its history, the Fondation Beyeler in Basel is devoting a monographic exhibition to Paul Cézanne (1839–1906), on view until 25 May 2026.
The participation of the Russian violinist in the festival Les Sommets musicaux lent an event usually free of controversy a faint aura of scandal. Media outlets in several countries seemed interested in little else, which one can only regret. The festival audience, however, came for the music, and the music did not disappoint.
Today, a short storycollection by the Ukrainian writer Serhiy Zhadan is reaching bookstores in Switzerland, France, Belgium, and Canada. Published by the Lausanne-based Éditions Noir sur Blanc in Iryna Dmytrychyn’s French translation, it bears the title "No One Will Ask Anything. News from Kharkiv" (Personne ne demandera rien. Nouvelles de Kharkiv).
The Swiss release of The Kremlin Wizard, a film by the French director Olivier Assayas based on Giuliano da Empoli’s novel Le Mage du Kremlin, has, unsurprisingly, triggered a wave of emotions and commentary. I, too, will say a few words.
Today, the traditional contemporary art fair opens at Geneva’s Palexpo exhibition centre, an event I have followed since its founding in 2012. This year, however, one particular stand is of special interest to me: for the first time, the Barbier-Mueller Museum is taking part in the project.
By decision of the United Nations, 27 January, the day Auschwitz concentration camp was liberated by Soviet troops in 1945, is observed as International Holocaust Remembrance Day. On this occasion, I would like to tell you about the Jewish Museum of Switzerland in Basel, which I visited last week.
About the author
Nadia Sikorsky grew up in Moscow where she obtained a master's degree in journalism and a doctorate in history from Moscow State University. After 13 years at UNESCO, in Paris and then in Geneva, and having served as director of communications at Green Cross International founded by Mikhail Gorbachev, she developed NashaGazeta.ch, the first online Russian-language daily newspaper, launched in 2007.
In 2022, she found herself among those who, according to Le Temps editorial board, "significantly contributed to the success of French-speaking Switzerland," thus appearing among opinion makers and economic, political, scientific and cultural leaders: the Forum of 100.
After 18 years leading NashaGazeta.ch, Nadia Sikorsky decided to return to her roots and focus on what truly fascinates her: culture in all its diversity. This decision took the form of this trilingual cultural blog (Russian, English, French) born in the heart of Europe – in Switzerland, her adopted country, the country distinguished by its multiculturalism and multilingualism.
Nadia Sikorsky does not present herself as a "Russian voice," but as the voice of a European of Russian origin (more than 35 years in Europe, 25 years spent in Switzerland) with the benefit of more than 30 years of professional experience in the cultural world at the international level. She positions herself as a cultural mediator between Russian and European traditions; the title of the blog, "The Russian Accent," captures this essence – the accent being not a linguistic barrier, not a political position but a distinctive cultural imprint in the European context.
The Orchestre de la Suisse Romande invites music lovers to concerts in Geneva, Lausanne and Lucerne on May 20, 21 and 22. Under the direction of Lithuanian conductor Mirga Gražinytė-Tyla, with Latvian pianist Georgijs Osokins as soloist, the orchestra presents an original programme featuring works by Frank Martin, Frédéric Chopin, Claude Debussy and Maurice Ravel.
On 8 June, the remarkable pianist Arcadi Volodos will appear at Victoria Hall. If you have not yet heard him, do not miss the opportunity to discover a truly great musician.
On 7 May, the Tbilisi City Court sentenced the world-famous Georgian opera singer Paata Burchuladze to seven years in prison on charges of organising mass violence, attempting to seize a strategic facility, and calling for the overthrow of the government.
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